Archive for June, 2008

Wall E Movie Photos

Monday, June 30th, 2008

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E Movie Photos

Wall E

Monday, June 30th, 2008

Wall E Posters

  • Wall E Posters
  • WALL E

    Director: Andrew Stanton
    Stars:Ben Burtt, Elissa Knight
    Studio: Walt Disney Pictures,Pixar Animation Studios

    CAST:

    Ben Burtt … WALL•E / M-O (voice)
    Elissa Knight … Eve (voice)
    Jeff Garlin … Captain (voice)
    Fred Willard … Shelby Forthright, BnL CEO
    John Ratzenberger … John (voice)
    Kathy Najimy … Mary (voice)
    Sigourney Weaver … Ship’s Computer (voice)

    SYNOPSIS:

    In the 2100s, the company Buy ‘n Large supplies almost every service on Earth and eventually becomes the world government. Overrun by consumerism, humanity pollutes the planet until it is uninhabitable. In an attempt to clean the planet, Buy ‘n Large sponsors an exodus to space aboard several Executive Starliners, one of which is the Axiom. In the meantime, thousands of WALL-E (Waste Allocation Load Lifter Earth-Class) units are left behind to convert the garbage into a disposable form. The recovery plan fails, and by 2815, only one WALL-E (the protagonist, voiced by Ben Burtt) remains operational. This WALL-E has developed a personality and stores human knick-knacks in his station, including a sprouting plant that he discovers, and a treasured videotape of the film Hello, Dolly! that teaches him emotion, particularly holding hands.

    EVE (Extraterrestrial Vegetation Evaluator) (Elissa Knight), a robot from the Axiom sent to find plant life, lands on Earth. After multiple misunderstandings, WALL-E shows her the plant he found. Following her directive, EVE stores the plant inside herself and shuts down. WALL-E goes to great lengths to protect her body, and eventually she is recovered by a spacecraft and flown back to the Axiom. Chasing EVE, WALL-E latches on to the outside of the ship and rides it back to its destination. At the Axiom, WALL-E escapes notice by other robots and explores the ship. Consumerism has made humanity lazy and morbidly obese, with every task being automated, including captaining, which is done by the autopilot AUTO (MacInTalk).

    WALL-E follows EVE’s body to the captain’s room, where the captain (Jeff Garlin) is to be shown the plant. However, EVE’s body no longer contains the plant; she blames WALL-E. The captain assumes EVE has malfunctioned, and sends her to the robot repair room. WALL-E is spotted and also sent to the repair room, where he accidentally liberates all the malfunctioning robots. WALL-E takes EVE’s gun arm and is carried away by the celebrating newly-freed malfunctioning units. EVE chases the other robots and WALL-E to recover her arm but during the process is accidentally labeled as a rogue robot, mistaken for helping lead the other crazed robots. Seeing the chaos WALL-E has caused, EVE tries to send him back to Earth in an escape pod but he refuses to go. While she tries to put WALL-E into the pod, AUTO’s assistant, GO-4, arrives and reveals that he had the plant the whole time and tries to dispose of it in the escape pod. WALL-E becomes trapped in the pod when he tries to recover the plant and he soon discovers it is set to self-destruct. By using a fire extinguisher to propel himself, he escapes with the plant at the last second. Realizing that the plant has been recovered, AUTO again triggers the alert against WALL-E and EVE. EVE brings the plant to the captain; curious to see images of Earth, he projects EVE’s memories and security camera footage from when she shut down, where she sees the lengths that WALL-E went to protect her. The captain is shocked by the environmental devastation on Earth depicted in the recordings and decides they must return to make amends.

    AUTO mutinies and tries to dispose of the plant, and is forced to reveal to the captain that Buy ‘n Large quickly abandoned recolonization plans after realizing that Earth was too toxic to support life; as a result, AUTO is programmed to never return to Earth. AUTO locks the captain in his bedroom, electrocutes WALL-E and throws him and the plant into a garbage chute, and deactivates EVE. EVE awakens in the Axiom’s disposal facility where gigantic WALL-A (Waste Allocation Load Lifter Axiom-Class) units are compacting garbage and launching it into space. EVE saves WALL-E, whose hardware is heavily damaged and rapidly losing battery power, and realizes that they must return to Earth in order to fix him. They recruit the malfunctioning robots and fight their way back to the main part of the ship. Meanwhile, the captain tricks AUTO into bringing him back into the cockpit. He tells WALL-E and EVE to put the plant on the holodetecter, a pedestal that rises from the floor. AUTO forces the holodetecter back into the floor and turns the ship on its side, and EVE is forced to save several humans as they slide into a wall. WALL-E uses his body to jam the holodetector, and EVE places the plant in the holodetector. The captain shuts down AUTO, and the Axiom jumps to Earth. WALL-E’s crushed and electrocuted body runs out of charge and shuts down.

    Once they arrive on Earth, EVE frantically pieces him back together from spare parts in his home. As WALL-E recharges, he appears to lose the personality he has developed and begins to perform his programmed task by crushing nearby trash into cubes. EVE, despondent over the loss of WALL-E, holds his hand and leans foward “kissing” him, causing a spark to jump between the two. The spark reboots WALL-E’s memory and he suddenly recognizes her. With a renewed sense of purpose, humanity and robots together work to restore Earth’s biosphere.

    The Good:

    The film’s first half is literally perfect, nearly devoid of dialogue as we get to know Wall-E, his life on Earth, and attempts to communicate with Eve. It’s a masterpiece of pantomime animation that recalls the earliest Pixar short Luxo Jr., and the romantic comedy is better than many live action ones starring real humans one might call actors.
    Tons of sci-fi movie references: Wall-E resembles Short Circuit and ET, robotic voices like the Star Wars droids (thanks Ben Burtt), a crowded hallway like THX-1138, and the second in command has a Hal-like eye from 2001: A Space Odyssey.
    Cute nods to Apple (Steve Jobs is head of Pixar) - Wall-E uses an iPod, Eve’s white plastic exterior resembles an iMac, and Wall-E blurts the Mac start up chime when drained of solar power.
    A worthwhile environmental message and bleak vision of a technology-assisted / corporate-owned humanity - a comment on today’s society by showing a potential future. Pixar deserves credit for moving beyond slapstick comedy and tackling more serious subjects.

    The Bad:

    The robots are such strong characters, that once the relatively lackluster humans are introduced, the film drags. Our future, marshmallow-body-and-brain selves are so devoid of personality, and their leader is such a dud, that it was hard for me to relate to or care about them. Their physical and mental state fits with the movie’s message, but dramatically it bogs things down.
    Definitely not as many laughs as other Pixar films, less than Ratatouille and Cars combined.

    Wall E QUOTES:

    Statler1976: so what’d you think of “wall-e”?
    Waldorf1975: more like “LAME-e”!
    Statler1976: no kidding! worse than “the happening”!
    Statler1976: they should’ve brought in m. night to make the robo-dialogue more stilted.
    Statler1976: “404 ERROR FILE NOT FOUND! WE JUST? HAD. TIRAMISU!”
    Waldorf1975: oh, “happening” references. Already so dated, a mere two weeks after the fact.
    Waldorf1975: But all jokes aside, I loved “wall-e.”
    Statler1976: as did I.
    Waldorf1975: in fact, i can’t help but wonder if the movie’s save-the-planet message will affect the environmental movement in the se way “bambi” affected the animal-rights movement.

    Waldorf1975: or that “the great mouse detective” affected the pro-animal sleuth movement.
    Statler1976: the big difference with “wall-e” is that most eco parables are essentially anti-technological.
    Statler1976: and yet that’s not the movie’s message.
    Statler1976: instead, it’s the silicon valley credo: technology put us in this fix. and it will also save us.
    Statler1976: but there’s something about the imagery that’s much darker than that. i don’t know about you, but the big influences i saw here other than star wars were “the brave little toaster” and “the black hole.”
    Waldorf1975: and “disney’s ‘the road.’”
    Waldorf1975: burnt skies, stray shopping carts, roger deakins cinematography…. it’s cormac mccarthy, but for the whole family!
    Waldorf1975: But i wonder if kids will see this and take to heart the anti-consumerism message, or whether they’ll walk away thinking, “buy me some wall-e crap, and take me to Disneyworld.”
    Statler1976: Probably both, which is what’s so interesting about a mass-market thinking-kid’s movie.
    Statler1976: this is either the most cynical kids movie in history, or the most subversive. At the end, the Buy n’ Large logo appears after the Disney emblem.
    Waldorf1975: but “wall-e” is not only anti-consumerism, it’s anti-fatty.
    Waldorf1975: and i’m sure some right-wing commenter will declare it anti-American in the coming days.
    Statler1976: “look at what we’ve become!”
    Statler1976: though the masses of slithering humanity were pretty striking
    Statler1976: and the fact that humans play bumbling sidekicks to robots for, i think, the first time ever in a movie
    Waldorf1975: true. But what really depresses me is that, in both “idiocracy” and “wall-e,” it’s implied that right before the world goes to poop, humans have a lot of fun and get to enjoy lots of wonderful cross-branding experiences. when will that happen, exactly?
    Statler1976: I know! It’s looking like we may not get the chance to die of our own excesses. I want to live long enough for Wal-Mart to fly me into space, with a Big Gulp!
    Statler1976: where’s the orgiastic capitalism of the final spasm?
    Waldorf1975: i would like to be around for that!
    Statler1976: or did that already happen, and all I got out of it was cheeseburger-flavored doritos?
    Waldorf1975: I think it’s supposed to happen just before the supposed robot invasion we’ve been warned about for years. for some reason, we’ve accepted robot dominance as an inevitability.
    Waldorf1975: and yet, it’s 2008, and as of today, there are no robots living in my neighborhood.
    Waldorf1975: they’re not really doing a good job of becoming our new overlords.
    Statler1976: i think their love of musical theater makes them weak.
    Statler1976: not to stereotype or anything.
    Waldorf1975:: it’s true. According to “wall-e,” robots must always quote “hello, dolly!” that was one of asimov’s rules.
    Statler1976: Honestly, i never thought i’d live long enough to see a movie combine my two dominant dork passions: science fiction and musical theater.
    Waldorf1975: and ben burtt sound effects!
    Statler1976: Yes! I did love all the R2 bleeps and bloops. And the score that played with John Williams tropes.
    Waldorf1975: how come “star wars” has inspired so much wonderfulness in the last 10 years, with the exception of the actual “star wars” movies?
    Statler1976: i think the answer lies in legos.
    Statler1976: because that’s what “star wars” is — and I’m not even talking about “lego star wars.”
    Statler1976: we’ve been given all these wonderful parts, by people like george lucas
    Statler1976: and now it’s the job of future generations to assemble them into something, y’know, good.
    Waldorf1975: true. meanwhile, my “radioland murders” playset is still sitting in the box.
    Statler1976: finally, robot love: what do we think?
    Waldorf1975: i went for it.
    Statler1976: as did i.
    Waldorf1975: it’s a nice antidote to all those talky human romantic comedies nowadays.
    Statler1976: yes. now we know what was wrong with all those movies:
    Statler1976: 1) people
    Statler1976: 2) language
    Waldorf1975: exactly. in “wall-e,” i can believe that two minimally expressive robots can woo each other and fall in love. that didn’t work in “fool’s gold.”

    Sound Department
    Ben Burtt …. sound designer
    Dustin Cawood …. sound effects editor
    Frank Clary …. foley recordist
    John Countryman …. digital sound transferer
    Sean England …. foley recordist
    Al Nelson …. sound effects editor
    Ronald G. Roumas …. recordist
    Clint Smith …. sound recordist
    Patrick Spain …. assistant mix engineer
    Matthew Wood …. supervising sound editor

    Special Effects
    Chris Chapman …. special effects

    Visual Effects
    Frank Aalbers …. crowds artist
    Frank Aalbers …. effects artist
    Frank Aalbers …. global tech
    Jeremy Birn …. lighting technical director
    Brian Boyd …. master lighting artist
    Stephan Vladimir Bugaj …. shading technical director
    Gordon D.B. Cameron …. production software engineer
    Jiayi Chong …. crowd simulation technical director
    Trent Crow …. shading technical director
    Simon Dunsdon …. CG artist: pre-visualisation/layout/modelling
    Sean Feeley …. software development
    Christopher Lee Fowler …. lighting technical director
    Sarah Fowler Deluna …. shading technical director
    Diego Garzon …. effects technical director
    Patrick Guenette …. shading technical director
    Christopher James Hall …. visual effects production supervisor: Kerner Optical
    Seth Holladay …. effects artist
    Andrew Jimenez …. digital artist
    Jason Johnston …. effects sequence lead
    Mike Jutan …. shading technical director
    Fran Kalal …. shading technical director
    Paul Kanyuk …. crowds artist
    William Austin Lee …. character modeler (as Austin Lee)
    William Austin Lee …. character rigger (as Austin Lee)
    Carlos Monzon …. digital compositor
    Dennis Muren …. visual effects
    Tom Nixon …. effects technical director
    Brandon Onstott …. shading technical director
    Maxwell Planck …. shading technical director
    Evan Pontoriero …. modeler
    Afonso Salcedo …. lighting artist
    Sajan Skaria …. technical director
    Suzanne Slatcher …. technical director
    Keith Stichweh …. technical director
    Eunkyoung Lee Swearingen …. lighting artist
    Gaston Ugarte …. modeling technical director
    Bill Watral …. effects artist
    Dan Weeks …. production engineering
    Athena Xenakis …. character shading lead

    Animation Department
    Dovi Anderson …. crowd animator
    Brett Coderre …. animator
    Arik Ehle …. crowd animation lead
    Mark Cordell Holmes …. computer graphics artist
    George Hull …. visual development artist
    Guilherme Sauerbronn Jacinto …. animator
    Todd Krish …. animation simulation artist
    Bruce Kuei …. animator
    Victor Navone …. animator
    Raphael Suter …. animator
    Rob Duquette Thompson …. animator
    Jeremy Vickery …. digital artist
    Stephen L. Wong …. crowd animator

    Editorial Department
    Colin Bohrer …. editorial manager
    Jim Passon …. color timer
    Freesia Pearson …. post-production assistant

    Music Department
    Carl Johnson …. orchestrator
    Larry Mah …. digital score recordist
    J.A.C. Redford …. orchestrator
    Patrick Spain …. scoring assistant engineer
    Gary K. Thomas …. orchestrator

    Other crew
    Cassandra Barbour …. rights and clearances
    Susan Bradley …. title designer
    Tyler Fazakerley …. systems administrator
    Remy Galang …. systems administrator
    Susan Boylan Griffin …. technical writer
    Jon Hadden …. systems administrator
    Ling Hsu …. systems administrator
    Jason ‘Jayfish’ Hull …. systems administrator
    Jose Ignacio …. systems administrator
    Ryan Kautzman …. software engineer
    Mark Leone …. senior software engineer
    Marty Lew …. systems administrator
    Matthew Lindahl …. systems administrator
    BoB ‘Naked BoB’ Morgan …. systems administrator
    Terry Lee Moseley …. lead system administrator
    Silvia Palara …. software engineer: tools
    Martin Reddy …. software lead
    Laura Sevier …. rights and clearances
    David Sotnick …. systems administrator and support
    Mike Sundy …. systems administrator
    Andy Thomas …. systems administrator
    Michael Todd …. technical director
    Erick Tryzelaar …. rendering systems administrator
    Rudy Vucelich …. color calibration technician
    Jay Weiland …. systems administrator
    Ian Westcott …. systems administrator

     

    Meet The Browns

    Monday, June 30th, 2008

    Meet The Browns

  • Meet The Browns Posters
  • MEET THE BROWNS

    Director: Tyler Perry
    Stars: Tamela J. Mann, Angela Bassett, Tyler Perry
    Studio: Lionsgate

    CAST:

    Tyler Perry … Madea / Uncle Joe
    Sofía Vergara
    Angela Bassett … Brenda
    Margaret Avery
    Jenifer Lewis … ‘Vera’
    Lamman Rucker
    Rick Fox
    Lance Gross … Michael
    Tamela J. Mann … Cora Brown
    Irma P. Hall
    David Mann … Leroy Brown
    Chloe Bailey … Tosha
    Giota Trakas … Factory worker
    Shawn Shepard … Doctor
    Mariana Tolbert
    Roy McCrerey … NBA Coach
    Grace Baine … Hospital patient
    James Pusztay … Construction Foreman
    Kristopher Lofton … Calvin
    Tim Blanchard … Reporter
    David Dino Wells Jr. … Construction Worker
    Ricardo Finnis … Restaurant patron
    Mark D. Headen … Late Restaurant Patron
    Henry Sandifer … Factory Worker
    Ayanna Fullilove … Neighbor
    Joe Sinopoli … Sidewalk Stroller
    Chandler George Brown … Child at Fair
    Leif Christian Andersen … Reporter
    Ondie Daniel … Hospital visitor
    Brandi Mitchell … Reporter
    Phil Ridarelli … Electrictian
    Kent Igleheart … Restaurant Patron
    Barry Hopkins … Hospital Visitor (uncredited)
    Vivek Shah … Café Patron (uncredited)
    Malik Simmons … Basketball Fan (uncredited)

    SYNOPSIS:

    Prolific playwright Tyler Perry adapts his popular stage play of the same name in this family-oriented comedy concerning a desperate mother who connects with the family she never knew. Brenda is a single Chicago mother of three who has been struggling for years to keep her kids off of the streets. Suddenly let go from her job with no warning to speak of, the eternally optimistic mother begins to experience a suffocating sense of hopelessness for the very first time in her life. When Brenda receives a death notice claiming that the father she has never met has passed away, she quickly gathers up the kids and sets out for Georgia to attend the funeral. Upon arriving in the Deep South, the once fretful mother is pleasantly surprised to discover that there is a whole side of the family she never knew existed. A crass but good-natured clan that welcomes Brenda and her children with open arms, the Browns’ lazy summer afternoons and frequent trips to the county fair offer a much-needed contrast to the stress of surviving in inner city Chicago. Writer/director/actor Perry reprises his role as indomitable, law-breaking grandmother Madea in a comedy that proves sometimes second chances come when you least expect it.

    Stop Loss

    Monday, June 30th, 2008

    Stop Loss

  • Stop Loss Posters
  • STOP LOSS

    Director: Kimberly Peirce
    Stars: Ryan Phillippe, Abbie Cornish, Joseph Gordon-Levitt
    Studio: Paramount Pictures

    CAST:

    Ryan Phillippe … Brandon King
    Joseph Gordon-Levitt … Tommy Burgess
    Rob Brown … Isaac ‘Eyeball’ Butler
    Channing Tatum … Steve Shriver
    Victor Rasuk … Rico Rodriguez
    Terry Quay … Al ‘Preacher’ Colson
    Matthew Scott Wilcox … Harvey
    Timothy Olyphant … Lt. Col. Boot Miller
    Josef Sommer … Senator Orton Worrell
    Linda Emond … Ida King
    Ciarán Hinds … Roy King
    Mamie Gummer … Jeanie
    Abbie Cornish … Michelle
    Alex Frost … Shorty
    Chandra Washington … Mrs. Butler
    Cora Cardona … Theresa Rodriguez
    Isreal Saldivar … Augustin
    David Kroll … Pastor
    Marie Mizener … Karen
    Kasey Stevens … Sharon
    Ricky Calmbach … Himself
    Lee Stringer … Dennis
    J.D. Evermore … Rainey
    Cory Hart … Cowboy
    Devin Moss … CIF Clerk
    Roger Edwards … Clerk
    Ric Maddox … Lieutenant One
    Richard Dillard … Sheriff Boudreaux
    David Precopia … Police Officer
    James D. Dever … Captain Dever (as James Dever)
    Mark Richard … Pastor Colson
    Laurie Metcalf … Mrs. Colson
    Steven Strait … Michael Colson
    Jeff Gibbs … Receptionist
    Tory Kittles … Josh
    Margo Martindale … Senator’s Secretary (voice)
    Cameron Clapp … Vet 1
    Troy Robinson … Vet 2 (as Clifton ‘Troy’ Robinson)
    Peter Gerety … Carlson
    Weston Scott Higgins … NCOIC of Pallbearers
    Tom Minder … Honor Guard NCOIC
    Victor García Jr. … Grave Digger
    Robert Farrior … Captain Greg MacDonald
    Niki Aguirre … Nikki
    Mohammad Ahmed … Indian Man
    Connett Brewer … Curtis (as Connett M. Brewer)
    Peter Cornwell … Cash for Carz Salesman
    Mike D. Daily … Ricky Calmbach Band - Steel Guitar
    Daniella Dotti … Army Captain / Country Dancer (as Charlane Meyer)
    Bernard Escobedo … Ricky Calmbach Band - Sound Engineer
    Matthew Garth II … PFC Usher
    Elizabeth Ingalls … Sweetheart
    Benny McArthur … Ricky Calmbach Band - Guitar
    Macy Salasel … Sister at Funeral
    Mikhail Sebastian … Capitol Hill Clerk
    Maggie Siff … Nora Selt
    Benedict Taylor … Bartender (as Ben Taylor)
    Ben Taylor … Bartender
    Ro’ Black … Meter Maid (uncredited)

    SYNOPSIS:

    After serving his tour of duty in Iraq, a young American soldier who is ordered to return to the front lines as part of the military’s controversial stop-loss opts instead to go AWOL in a thought-provoking military drama directed by Kimberly Peirce. Sgt. Brandon King (Ryan Philippe) is a decorated Iraq War veteran who once served his country with pride. After his tour of duty comes to an end, King returns to his Texas hometown and attempts to pick up where he once left off with a little help from his family, as well as long-time best friend and war buddy Steve Shriver (Channing Tatum). But just as Brandon, Steve, and the rest of their war buddies begin to setle back into civilian life, Uncle Sam comes calling on them once again. Suddenly ordered back into active duty, the disillusioned war veteran begins to question not just his ties to family and his longtime friendships, but his capacity for love and sense of honor as well.

    Superhero Movie

    Monday, June 30th, 2008

    Superhero Movie

  • Superhero Movie Posters
  • SUPERHERO MOVIE

    Director: Craig Mazin
    Stars: Drake Bell, Leslie Nielsen, Sara Paxton
    Studio: Dimension Films

    CAST:

    Drake Bell … Rick Riker / Dragonfly
    Sara Paxton … Jill Johnson
    Christopher McDonald … Lou Landers / Hourglass
    Pamela Anderson … The Invisible Girl
    Tracy Morgan … Dr. Xavier
    Regina Hall … Mrs. Xavier
    Craig Bierko … Wolverine
    Simon Rex … The Human Torch
    Mario Lavandeira … Himself (as Perez Hilton)
    Leslie Nielsen … Uncle Albert
    Marion Ross … Aunt Lucille
    Kevin Hart … Trey
    Jeffrey Tambor … Dr. Whitby
    Ryan Hansen … Lance Landers
    Brent Spiner … Dr. Strom
    Keith David … Chief Karlin
    Aki Aleong … Dalai Lama
    Elle Alexander … Dignitary
    Alec Barnes … Teenage Kissing Boy
    Tim Bearden … The Hourglass impersonator 1
    Brian Carpenter … Matthews
    Jonathan Chase … Onlooker
    Sam Cohen … Young Rick Riker
    Liliya Czarina … Dignitary
    Kristen Endow … Science Fair Student
    Michael Ensign … Priest
    Charles W. Gray … Willy
    Clay Greenbush … Grieving Husband
    Kellie Guinot … Dignitary
    Jeremiah Hu … Asian Dragonfly
    Cassie Jaye … Teenage Kissing Girl
    Jolane Lentz … Allison
    Michie Madison
    Ajay Mehta … Convenience Store Owner
    Anthony Molinari … Thug 1
    Steve Monroe … Nerdy Dragonfly
    Byrne Offutt … Reporter Ed
    Anna Osceola … Eager Girl
    Michael Papajohn … Thug
    Neal ‘Xingu’ Rodil … Blue / Silver superhero
    Kent Shocknek … News Anchor
    Ian Patrick Williams … King of Sweden

    SYNOPSIS:

    How many superheroes does it take to save the world? The creators of The Naked Gun and Scary Movie answer this question in hysterical “David Zucker” fashion with the uproarious comedy Superhero Movie.

    Meet Rick Riker. He’s young, he’s cool and he’s got superpowers. Now, if he only knew how to use them… but the world is in danger and no one is safe when Zucker and the gang — headed by the hilarious cast of Drake Bell, Leslie Nielsen, Tracy Morgan, Pamela Anderson, Regina Hall and many others — take aim at some of the biggest blockbusters of our time including Spider-Man, Batman, X-Men, and Fantastic Four, to name a few. On March 28th, learning to fly, spinning a web and busting a gut has never been this much fun.